Strings – Part 3: Acoustic Bass Guitar

Fender BG 29 Acoustic Bass

The Acoustic Bass Guitar is an odd animal.  Not quite the same as an electric bass nor an upright.  It has a sound all it own which some people love and some people hate.  I acquired my Fender BG-29 acoustic back in the mid-90’s when playing “Unplugged” was all the rage.  I had been thinking about getting one as that I had alot of friends who played guitar and was tired of being left out of many an impromptu acoustic jam session.  I saw the Fender in a local music store in Sacramento, CA and decided to check it out.  I loved the feel and sound of the bass so much I had to buy it.  This is the instrument that led me to string experimentation.

The BG-29 came stock with Phosphor Bronze Acoustic Bass 7060 strings in gauges .045, .055, .075, .095.  These are roundwound strings, which I left on this bass for quite a while.  The phosphor bronze strings have good volume but tended to be a bit to clackity for my liking.  I next tried Ernie Ball Earthwood strings which had a similar tone to the bronzes, so my quest continued.  At one point I shelled out the extra dough and put a set of Elixir strings on, they had a mellower tone than the bronze’s and the Ernie Ball’s, but I still wasn’t satisfied.  At this point I was done with the noisy, squeaky, finger noise prevalent with roundwounds and decided to try a set of Fender Nylon Tapewound strings.  These got rid of most of the unwanted noises but left me with a thuddy sounding tone that I was not at all happy with.  Flatwounds would be the next obvious choice but I wondered if flatwounds would have enough acoustic volume?  While searching for the perfect strings online I came upon D’Addario Half Rounds.  I have been very pleased with these strings.  They have a fine balance of tone and volume while the string noises associated with roundwounds are greatly reduced.  I may still give flatwounds a shot someday, but for now I am very satisfied.

To me the Acoustic Bass is a great instrument to have around the house for when inspiration hits.  I almost never play it amplified, as to me that would almost defeat it’s purpose.  Plugged in it has a completely different sound. Feedback is an issue when plugged in, a lesson I learned that the hard way at a coffe house gig.  After that I bought a Sound Hole cover like you would use on an acoustic guitar which is great at fighting feedback.  Amplified the acoustic bass almost sounds like an electric, leaving one to wonder what the point is.

That about does it for my mini series on strings.  As I have said, strings have been on my mind recently as I have been experimenting with my Jazz and P Basses, so I thought I would write about it and share my experiences.  Of course all of this is subjective to my tastes in tone and feel so I would encourage you to experiment for yourself and decide what works best for you.

To start this series from the beginning click here.

Any topics you all would like to see me write about?  Leave a comment or drop me email and I’d be happy to consider it.  Thanks for reading!